18. July 2015 · Comments Off on In Naiveness all things look simple; even in photography · Categories: Mental Process, Philosophy, Practice, Preparation · Tags: , , , ,
Random chaos & order - It was my naiveness that let me do fall colors the first time without a place to stay

Random chaos & order

Sunset, Moon rise. Planning, not naiveness let's us be at the right place at the right timeAs a kid, I read Tom Swift books.  In these he invented all sorts of very reasonable sounding incredible inventions.  I kept wondering if he could do them in the books, why were they not actually invented yet, seemed simple enough in the books…  The naiveness of a child.  How does my naiveness show up today, or where or when do I choose not to be prepared?

Over the years, I have learned, that if things looked simple and had not yet been done, that I was probably naive.  It would be a call for me to dig into what was the reality.

The mass marketing of photography plays to this. ‘It is simple to get a great photo,  just buy the latest technology and hold your finger down on the button until the great photo shows up.’   True, higher end stores like Keeble & Shuchat have a book section, but even many of these seem to promise ‘if only you did this’ you would have great photos.

But the truth is, there is a lot to consistently (as opposed to an occasional lucky shot) getting good (and sometimes great) photos.  Yes, lucky is good, but ” Chance favors only the prepared mind” is still true today, otherwise it is just random chance.

What is the ‘prepared mind’? what do we need to do for ourselves to improve our photos?  Let’s look at some of the things that go into a typical good photo.

  • The photo is sharp (not usually fuzzy).  So technology can help here, if it is used appropriately.
    •  We can use a tripod
    • We can use image stabilization
    • We can use faster shutter speed (what are we trading off for this?)
    •  Do we have the picture focused on the right thing, or are we focusing on the wrong point…?
  • Is the image lit correctly? Do I have the correct exposure?
    • Cameras today have built in exposure systems that are very good at generating snapshot like images.  However, if you want a dramatic image, then you might have to understand lighting; low angle light vs overhead light, or flat even light vs. hard light, or the color of the light (before or after sunrise, or mid day).
  • Composition – There are so many things here, and there is not nearly the help from technology that there are for sharpness and exposure.
    • Do I really want the subject dead center, or do I want it some place else?
    • Remember rule of thirds
    • Don’t put the horizon on the mid line
    • Make sure that there is not ‘extra’ in the photo
      • No strong lines coming out of someone’s head
      • No extraneous lines that are not contributing (twigs, branches, arms…)
      • Make sure that borders and corners are clean and are not distracting
    • Are you or can you frame the photo?
    • Do the lines lead you into the photo?
    • Is the expression on the face  the expression you want? (or is their mouth open?)
    • … and the list goes on ….

And if you can do all of the above in the 2 seconds that you bring the camera to your eye and snap, you are a better person than I.

What is a prepared mind with regard to photography?  For me, and folks that I work with it means that we practice evaluating photos to see what works and what doesn’t work in photos.  We practice enough that looking at a photo on the screen or in the camera or in magazines, until it is second nature to figure out what works and what doesn’t work.  Where does naiveness show up in your photography?

So, we can try and practice with our own photos, but I have found that usually doesn’t work very well, particularly for learning in the beginning.  What I have found works much better is to practice with other people’s photos.   I strongly recommend that you get yourself an account on 500px .  Then force yourself to write reviews of photos.  Having to write a review forces you to evaluate the photo and what works and does not work in it.   After a few hundred reviews you will understand what sorts of things work in photos and what does not.  This is the practice that creates the prepared mind.  And now, taking good photos is not so naively simple.

Oh, and remember,

HAVE FUN

PLP

 

30. June 2015 · Comments Off on Composition – Framing – no not the wood around the photo · Categories: Composition, Practice · Tags: , , , ,

“Art is the imposing of a pattern on experience, and our aesthetic enjoyment is recognition of the pattern. “

Alfred North Whitehead

Dancing Trees

There are several composition topics in photography that are most easily learned through examples rather than prose.  I thought I would write a series of articles on several of these with a few photos in each to help illustrate the point.

I’m starting with framing because it was one of the easier ones to start with, not because it is more or less important, but just easier for me to write about.

One way to look at framing is that the subject around the edge draws your attention to the main focus point.  I would encourage you to log onto 500px.com and see what you can identify as successfully framed photos.

Laurie in Little Wild Horse slot canyon

It could be reasonably argued that the above photo is really about lines, but notice how we have both lines and color framing my wife.

The photo below is an example of classical framing.CRW_0598You probably recognize this type of framing from travel post cards.

For the opening photo, notice how the branches frame the moon.   This would not have been as effective if the branch split the moon.  This also illustrates that not all framing needs to symmetrical in position or content.

Early morning light catching the spray from a waterfall

This photo illustrates a classic concept involved with framing; that is that the borders or the frame is darker than the central point of focus.  Eyes are typically drawn to the bright parts of the photo.

_MG_0629_30_31-2

In this example, the bright trees frame the waterfall which is itself framed by the dark rock.  This photo illustrates again that framing does not need to be symmetrical, nor even conventional with bright being the framing of the waterfall.

_MG_2926-_MG_2928_PA

This photo is again asymmetrical framing, this time of El Capitan framed with trees.

The challenge to you is to experiment with framing in your photos and decide what works and does not work for your photos.

“If you see a whole thing – it seems that it’s always beautiful. Planets, lives… But up close a world’s all dirt and rocks. And day to day, life’s a hard job, you get tired, you lose the pattern.”   Ursula K. Le Guin

Check out other images for framing or the lack there of… on my website

25. March 2015 · Comments Off on Plan, Prepare, Practice, Patience · Categories: patience, Philosophy, Plan, Practice, Preparation · Tags: , , ,
At times those skills were really hard to do because not only was I having to contend with the camera, but I was having to learn these new skills and the ball was always kind of doing what you didn’t want it to do. So it got a little bit frustrating at times but we got there.- Parminder Nagra
Let our advance worrying become advance thinking and planning.- Winston Churchill
Girls Volleyball,Stanford,Volleyball

Girls Volleyball, Stanford, Volleyball

I have ADHD.  For those that know, it is well like DUH! So, for me to write, let alone an article on Plan, Prepare, Practice, Patience is quite something !

Regardless of whether you are an Instagram shooter, shooting for a paper, portraits, landscapes, you name it; Plan, Prepare, Practice, Patience all  pay dividends.  Seldom do we get a chance as photographers to do over again. and even the ability to do over again, requires planning and preparation.

  •  A product shots requires planning to allow a redo.
  • I think of my son who posts on Instagram and Facebook multiple times a day of friends, food, activities; there is no redo for those occasions.
  • Landscape photography, will the lighting be the same, will you be in the same spot, will the landscape be the same?
  • Portraits, will the person(s) be able to have the same expression, will you have the same lighting?
  • As an event photographer (think sports) the moment is fleeting and gone forever.

Not all photos, and types of photos require the same degree of Planning, Preparation, Practice, and Patience.  My Instagram son, who uses his phone for photos plans, as do every other photographer I know.  What do these four “P”s  really mean?

Plan

Planning is the process of mentally looking into the future and imagining what is going to happen, and how you will respond.  And then, taking notes (mental or otherwise) on what you will do.  Here are a few examples:

  • To take an early morning  sunrise photo, I will need a light to see the camera, I will need a tripod for long exposures, I will something to keep me warm.
  • To get pics of elephant seals fighting I am going to need a longish lens.
  • What are the settings  I need on the camera for what I am shooting.

Most of us do some amount of mental planning, but do we actually pay attention and think about what it is that we want to do? Often, planning is the result of learning from things not well enough planned.

Prepare

This is an action step: This is where I collect what is needed, or the process of getting what is needed available.

  • Buy gloves and a headlamp for my before sunrise photo
  • I find out if the elephant seals are visible to public and obtain needed permits
  • Charge batteries
  • Pack the camera bag
  • Get water and munchies for during the day
  • Clean the camera & lenses
  • Fresh memory for the camera

All of these types of activities are implicitly the result of planning and recognizing what actions need to happen.  I often make a work list so that I won’t forget something, and that I can add to as I remember other things.  I set up various categories that I need to deal with such as clothing, camera, lighting, props, batteries.

Practice

There are many times  and types of photography where there is not a lot of time to figure something out; kids, wild life, event photography, even landscape as the light is changing from predawn to dawn.  I remember, one pre  dawn at Mesa Arch, and three guys came in late, but they had a tripod, but they didn’t know how to connect the camera to the tripod.  Some types of photography, such as sports or wild life, require a knowledge about the subject if you want good photos.

Mesa Arch, being prepared

Canyon Lands National Park,Island in the Sky,Mesa Arch,Southwest,Utah,buttes,canyons,sunrise

Patience

I am in some ways surprised that I am a photographer with my ADHD.  Waiting for the moment and not getting frustrated in the waiting and not just clicking frames out of impatience that later have to be weeded out.  The elephant seals, and the volleyball practice are both examples of this.

 

In parting, if you think about it, what would you do more of, what would you do less of: Plan Prepare Practice Patience?

 

18. March 2015 · Comments Off on A Prepared Photographer · Categories: Preparation · Tags: , , , ,

 

Not so recently I was in Canyonlands National Park for a sunrise shoot through Mesa Arch.  There were a number of other photographers there before sunrise.  What was a surprise was the degree of  not prepared.

  • Several people didn’t have tripods, so they couldn’t take photos other than setting the camera on a rock.
  • Others didn’t know how to operate their cameras
  • Still others didn’t know how to put the camera on the tripod
  • Only about half had a flashlight or headlamp.

All of the above doesn’t mean that you can’t get nice images, it is just harder to get good images; your options are more limited. Learning to be prepared can occur via the school of problems, or you can get some coaching so that you are more likely to be successful.  Being unprepared may mean you miss the shot you wanted, or that it doesn’t turn out as well as you would like.

Take the sunrise shoot at mesa arch; someone who has shot there previously can tell you how long it takes to drive, and then walk to the arch. What lens combinations work from each location.  Which locations work for sunrise, what works for sunset. Or you can do like we did figure out the mileage and the walking distance and make an estimate.  In our case, we did not allocate enough time and I had to run on the trail in the dark.

Mesa Arch

Mesa Arch

Ask someone who has been where you want to go and see what tips you can get.

Ask and answer these questions for yourself

  • How much time will it take me to get setup?
    • How long to get there?
    • How long to set up?
    • Do I know where I am going?
  • What equipment do I need? (trying to get a shot under pressure, when it is the first time with the equipment is a recipe for failure!)
    • Do I have the equipment I need?  Is it pre setup? or am I going to fumble when I get there?
    • Do I know how to use the equipment?
    • Is the equipment ready? (clean, batteries, media, extra batteries for the cold)
  • Do I have the non camera gear that I need?
    • Snacks; an army or an individual marches on their stomachs
    • The right clothes; few things are more miserable than freezing (sub zero & breeze) and not having the right clothes.
    • Map/directions, permits
  • Other
    • Am I planning on meeting someone? If so how are we going to rendezvous?
    • Is the car gassed and ready?

The Boy Scouts really have something with ‘Be Prepared’